Cyclical Calendar

The cyclical calendar, as an embodiment of the idea of the “eternal circle”, is also a possible solution to the difficult metaphysical problem of “eternity-time”.

Of course, the ancient Bulgarian calendar r not the only cyclical calendar but it remain: incomparable with its accuracy and functionality to this day. The attempts to attribute its origin to Chinese or Turkic influences have proved futile. A Chinese geographic tractate of the 10th century includes an announcement of the 7th century, stating that the Chinese noted as an interesting fact the use of a 12-year cycle for calendar purposes by the population between Samarkand and Buhara. For them, the 12- year animal cycle as a calendar system outside the 60-year cycle was unknown until the time of the Han dynasty (206 BC-25 AD) when it was included in the Chinese cal


Interest in Aphrodisias has ebbed and flowed like the tide since 1961. Sometimes we await news of the ancient city with bated breath; other times we barely notice when it appears. We took the re-opening the newly refurbished Aphrodisias Museum on 2A October as an occasion for following up on the latest finds.

It’s September 1958. The then Prime Minister is going to open Turkey’s biggest dam, the Kemer. Getting wind of the event, Hayat (Life) magazine quickly dispatches photojournalist Ara Giiler to the nearby town of Aydin. Provided with a car and driver by the governor’s office, Giiler is stilt shooting when night falls. They lose their way, winding up in a coffeehouse in a remote mountain village. The locals are playing cards on top of a Roman column capital. As soon as it gets light the next morning,

Gtiler takes a look around the village, photographing the relie

Aphrodisias The Blue Horse

The ‘Blue Horse` sculpture, which was found in the Civil Basilica during the 1970 excavations, finally went on display last year in the Sebasteion Sevgi Goniil Gallery after waiting many years in storage. Although only the upper part of the young rider’s left leg remains, it is clear that he has been depicted falling off his horse. The work is important as the only example among ancient sculptures that depicts a galloping horse in marble.


The Sebasteion, constructed in the mid-lst century A.D. in honor of the Roman emperors and the local goddess Aphrodite, is adorned with a marble panel of 200 life-size human figures in high relief. One after the other, some 80 of them have been on display in the Sebasteion Sevgi Goniil Gallery since 2008. But there are also examples in the Dig House that have not been displayed and continue to undergo restoratio